Dxarts 430 Algorithmic Processes in the Arts 5 Vlpa

UW Bothell Course Descriptions UW Tacoma Grade Descriptions Glossary

COLLEGE OF ARTS & SCIENCES
DIGITAL ARTS AND EXPERIMENTAL MEDIA

Detailed form offerings (Time Schedule) are bachelor for

• Jump Quarter 2022
• Summertime Quarter 2022
• Autumn Quarter 2022

DXARTS 198 Digital Arts Seminar (one-5, max. 10) VLPA
Topics vary and are appear during the preceding quarter. Taught by UW faculty and visiting artists, engineers, scientists, and humanities scholars.
View course details in MyPlan: DXARTS 198

DXARTS 200 Digital Fine art and New Media: History, Theory, and Do (five) VLPA Afroditi Psarra
Investigates and illuminates Digital Art and New Media from a creative, theoretical, and historical perspective. Towards an exploration and discovery of the future of art, examines the epitome shifts implicit in the inception and expansion of media fine art, equally well equally the dynamic core ideas that underscore digital art practices in the early twenty-first century. Offered: AWSpS.
View grade details in MyPlan: DXARTS 200

DXARTS 295 Creativity as Research: Experimentation and Play (5) VLPA
Examines creative research in the arts and the natural overlap with research in other fields. Individual and collaborative projects explore research through the lens of digital art, dance, science, and theater. Offered: jointly with Trip the light fantastic toe 295/DRAMA 285; A.
View course details in MyPlan: DXARTS 295

DXARTS 430 Algorithmic Processes in the Arts (5) VLPA
Nuts of computer programming and algorithmic thinking in digital arts. Emphasis on experimental art forms where building of custom software is integral to realizing an artistic vision.
View course details in MyPlan: DXARTS 430

DXARTS 450 Digital Video Foundations (5) VLPA
An introduction to experimental video art. Provides a theoretical and practical foundation for creating video for installation, performance, or screen. Students attend lectures and consummate assignments to create original video works. Workshops include easily-on introductions to digital video production: cameras, lenses, sound, lighting, movement control, and not-linear editing.
View course details in MyPlan: DXARTS 450

DXARTS 451 Experiments in Video Art I (five) VLPA
Introduces existent-time video software for the creation of immersive installations, multimedia performance, and video art. Workshops demonstrate advanced compositing, multi-channel video, time delay, and live-image processing. Students explore the intersections of experimental video and gimmicky art through individual projects, discussions, and critiques.
View course details in MyPlan: DXARTS 451

DXARTS 452 Experiments in Video Art Ii (5) VLPA
Students work on private projects while exploring such research topics as robotic camera motion, computer vision, interactivity, and video integration with physical I/O systems. Prerequisite: DXARTS 451. Offered: Westward.
View form details in MyPlan: DXARTS 452

DXARTS 460 Digital Sound (5) VLPA
Foundations of digital sound for digital arts applications. Project-based form focused on creating experimental audio compositions. Overview of the history of electronic music and analysis of important works from its canon. Acoustics, psychoacoustics and digital sound theory. Digital bespeak processing and recording techniques. Multi-track, recording, editing, mixing, and mastering using Digital Audio Workstations (DAW). Offered: Sp.
View course details in MyPlan: DXARTS 460

DXARTS 461 Digital Audio Synthesis (v) VLPA
Introduction to software sound synthesis techniques. Project-based form focused on creating experimental sound compositions framed by context of the Western Art Music Tradition. Includes acoustics and psychoacoustics; virtual synthesizers; wavetable synthesis; additive synthesis; ring, aamplitude, and frequency modulation synthesis; granular synthesis; and noise and subtractive synthesis. Offered: jointly with MUSIC 401; A.
View course details in MyPlan: DXARTS 461

DXARTS 462 Digital Sound Processing (5) VLPA
Introduction to digital sound processing techniques. Project-based form focused on creating experimental sound compositions framed by context of the Western Art Music Tradition. Includes digital effects; delay lines; introduction to digital filtering; FIR and IIR filters; reverberation; virtual-room acoustics and sound location; time-domain transformation of audio; andgranulation and fourth dimension stretching. Prerequisite: DXARTS 461/MUSIC 401. Offered: jointly with MUSIC 402; W.
View course details in MyPlan: DXARTS 462

DXARTS 463 Advanced Digital Audio Synthesis and Processing (5) VLPA
Advanced sound processing and synthesis techniques. Includes audio fourth dimension warping; analysis-synthesis techniques; linear predictive coding; the stage vocoder; frequency-domain audio transformations; introduction to physical modeling. Prerequisite: DXARTS 462/MUSIC 402. Offered: jointly with MUSIC 403; Sp.
View class details in MyPlan: DXARTS 463

DXARTS 470 Sensing and Command Systems for Digital Arts (v) VLPA
Covers bones electronics for integrating sensors and actuators into fine art installations and functioning. Includes real-fourth dimension systems programming and design using simple software tools for controlling video and audio as well as hardware tools for data I/O to command electromechanical and sensing devices.
View course details in MyPlan: DXARTS 470

DXARTS 471 Mechatronic Art, Design, and Fabrication I (five) VLPA
Role one of three-quarter studio sequence exploring mechatronic art systems. Includes mechanics, electronics, software, advanced fabrication methods and real-time audio/video processing. Offered: A.
View form details in MyPlan: DXARTS 471

DXARTS 472 Mechatronic Fine art, Design, and Fabrication II (v) VLPA
Part two of three-quarter studio sequence exploring mechatronic art systems. Includes mechanics, electronics, software, advanced fabrication methods and real-time audio/video processing. Prerequisite: DXARTS 471. Offered: Westward.
View form details in MyPlan: DXARTS 472

DXARTS 480 Introduction to Data Driven Arts (v) VLPA
In contemporary digital culture, diverse media tin can be understood as data - from text and images, to recorded audio and speech. Introduces tools for collecting, processing, and organizing archives of multimedia. Establishes a foundation for artistic experimentation with motorcar learning and bogus intelligence systems. Involves working creatively with information from text and images, recorded sound and oral communication. Offered: A.
View form details in MyPlan: DXARTS 480

DXARTS 481 Data-Driven Art I (5) VLPA James Coupe, Tivon C. Rice
Fine art made using data, algorithms, patterns, datasets, searches, and metadata. Media - images, video, sound, text - as data indexable, searchable, and role of larger systems. Implications and possibilities of artists using such systems, looking at dynamic, algorithmic based approaches to composing with highly distributed collections of information. Offered: Due west.
View grade details in MyPlan: DXARTS 481

DXARTS 482 Information-Driven Art II (v) VLPA Tivon C. Rice, James Coupe
Further develops skills and concepts required to make fine art, using machine learning and Big Information. Combines technical instruction in Python with give-and-take of ethical, aesthetic, and creative possibilities of information scientific discipline. Topics include histories of data-driven art, technical applications using NLP, GANs, Classification Systems, Datasets, and hands-on systems-based art projects. Prerequisite: DXARTS 481. Offered: Sp.
View course details in MyPlan: DXARTS 482

DXARTS 485 Material and Cultural Bias in Algorithmic Systems (5) VLPA Afroditi Psarra, Daniela K Rosner
Project based course which examines the merging of information science, and arts and design practices. Draws from a range of theoretical texts and artistic works, combining textile and statistics literatures. Emphasizes mingling of ideas, multiple interpretations, and translations to critically represent, express, and challenge biased datasets and skewed machine learning systems. Offered: jointly with HCDE 485; A.
View course details in MyPlan: DXARTS 485

DXARTS 490 Special Topics in Digital Arts and Experimental Media (3-5, max. fifteen)
Taught past UW faculty and visiting artists, engineers, scientists, and humanities scholars.
View course details in MyPlan: DXARTS 490

DXARTS 491 Senior Thesis I (v-) VLPA
Introductory course of the senior thesis sequence. Includes weekly seminars, selection of a thesis topic, and contract with an advisable faculty adviser. Majors and senior standing only. Offered: A.
View course details in MyPlan: DXARTS 491

DXARTS 492 Senior Thesis Two (-v-) VLPA
2d course of the senior thesis sequence. Majors and senior standing only. Prerequisite: DXARTS 491. Offered: W.
View course details in MyPlan: DXARTS 492

DXARTS 495 DXARTS Production Studio (3-15, max. 30) VLPA
Intensive, large-scale, collaborative, experimental media-based art projects. Examples include major interactive art installations, cinematic works, live computer music performances, and mechatronic or telematic collaborations. Topic vary.
View course details in MyPlan: DXARTS 495

DXARTS 499 Undergraduate Research (i-5, max. 12)
Supervised independent piece of work on projects and research. Offered: AWSpS.
View class details in MyPlan: DXARTS 499

DXARTS 500 Research Studio (3, max. 30)
Covers contempo advances and current trends in digital arts and experimental media research. Students hash out and demonstrate their own ongoing research and creative projects. In-depth test of new artwork and inquiry by pioneering figures in the field. Prerequisite: DXARTS graduate educatee.
View course details in MyPlan: DXARTS 500

DXARTS 505 Inquiry Techniques in Digital Arts (iii)
Digital arts research resources; structuring and strategizing research equally part of artistic development; standards for writing and publishing; ethics and approach to engineering transfer, and issues such equally patenting. Prerequisite: DXARTS doctoral student.
View grade details in MyPlan: DXARTS 505

DXARTS 517 Psychology of Sound and Visual Perception in the Arts (5)
Processes backside sound and image perception, with emphasis on cognition and practical applications for artists. Includes cantankerous-modal theory and synaesthesia. Prerequisite: DXARTS graduate educatee.
View course details in MyPlan: DXARTS 517

DXARTS 528 Real-Fourth dimension Digital Image Processing (5)
Theory, aesthetics, and practice of real-time video manipulation/performance systems. Theory and high-level programming of image synthesis and processing.
View course details in MyPlan: DXARTS 528

DXARTS 552 Avant-garde Topics in Digital Video (5)
Covers contempo advances and current trends in digital video research. May include in-depth exam of new artwork and research by kinesthesia, students, and visiting professionals. Prerequisite: DXARTS 450; and either DXARTS 451 or DXARTS 452.
View grade details in MyPlan: DXARTS 552

DXARTS 565 Spectral Modeling of Sound (5)
Theory and practice of sound modeling in the spectral domain. Custom-designed software for spectral modeling and re-synthesis. Implementation of software tools for spectral assay, transformation, and synthesis. Emphasizes the development of new software tools and the production of experimental audio compositions. Prerequisite: DXARTS 463.
View course details in MyPlan: DXARTS 565

DXARTS 567 Audio in Space (five)
Theory and practice of spatial sound. Spatial hearing mechanisms. Stereo microphone techniques. 3D sound field capture and reconstruction using first and high order ambisonics. VBAP, WFS, and other advanced sound spatialization techniques. Introduction to aural architecture and spatial sound composition with emphasis on the production of experimental sound pieces and installations. Prerequisite: DXARTS 463.
View course details in MyPlan: DXARTS 567

DXARTS 569 Real-time Digital Sound Processing (v)
Introduction to real-time digital audio processing techniques. Includes: foundation of real-time systems; integration; reactive environments in performance and installation work; interfaces; advice protocols (MIDI, TCP); feature detection; pitch tracking; transient detection; time-domain processing techniques; frequency-domain processing techniques; algorithmic processes. Prerequisite: DXARTS 463.
View course details in MyPlan: DXARTS 569

DXARTS 571 Telematic Art I (5)
Focuses on the production of artworks that make utilise of real-time information networks. Topics include Internet art, database-driven art, and telematic installation art. Prerequisite: either DXARTS 470, DXARTS 473, or permission of teacher.
View form details in MyPlan: DXARTS 571

DXARTS 598 Advanced Topics in Digital Arts and Experimental Media (iii-5, max. 21)
Covers recent advances and current trends in digital arts and experimental media inquiry. Various topics may include in-depth exam of new art work and research by faculty, students, and visiting professors.
View course details in MyPlan: DXARTS 598

DXARTS 600 Contained Study or Research ([ane-ix]-)
Credit/no-credit only.
View form details in MyPlan: DXARTS 600

DXARTS 800 Doctoral Dissertation (*-)
At least 27 hours of dissertation credit is required for the award of a Ph.D. in Digital Arts and Experimental Media. No more than x credits may be taken in whatever quarter, except summer. Credit/no-credit only.
View class details in MyPlan: DXARTS 800

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Source: https://www.washington.edu/students/crscat/dxarts.html

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